Beware of Pity.
"But ever since that moment I have realized afresh that no guilt is forgotten so long as the conscience still knows of it": First edition of Stephan Zweig's Beware of Pity; Signed by Him
Beware of Pity.
ZWEIG, Stephan.
Item Number: 133154
New York: The Viking Press, 1939.
First edition of this classic work, basis for Wes Anderson’s film The Grand Budapest Hotel and The Post Office Girl. Octavo, original cloth. Boldly signed by Stephan Zweig on the front free endpaper. Near fine in a near condition. Translated from the German by Phyllis and Trevor Blewitt. Exceptionally rare and desirable signed, we have never seen another signed example.
"I had never heard of Zweig...when I just more or less by chance bought a copy of Beware of Pity. I loved this first book. I also read the The Post-Office Girl. The Grand Budapest Hotel has elements that were sort of stolen from both these books. Two characters in our story are vaguely meant to represent Zweig himself — our “Author” character, played by Tom Wilkinson, and the theoretically fictionalized version of himself, played by Jude Law. But, in fact, M. Gustave, the main character who is played by Ralph Fiennes, is modelled significantly on Zweig as well" (Wes Anderson). "Stefan Zweig was a dark and unorthodox artist; it's good to have him back" (Salman Rushdie). The great Austrian writer Stefan Zweig was a master anatomist of the deceitful heart, and Beware of Pity, the only novel he published during his lifetime, uncovers the seed of selfishness within even the finest of feelings. Hofmiller, an Austro-Hungarian cavalry officer stationed at the edge of the empire, is invited to a party at the home of a rich local landowner, a world away from the dreary routine of the barracks. The surroundings are glamorous, wine flows freely, and the exhilarated young Hofmiller asks his host's lovely daughter for a dance, only to discover that sickness has left her painfully crippled. It is a minor blunder that will destroy his life, as pity and guilt gradually implicate him in a well-meaning but tragically wrongheaded plot to restore the unhappy invalid to health. It was adapted into a 1946 film of the same title, directed by Maurice Elvey and basis Wes Anderson's film The Grand Budapest Hotel and The Post Office Girl.
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