The History of the Decline and Fall of the Roman Empire.

GIBBON, Edward .

Item Number: 145050

London: Printed for W. Strahan; and T. Cadell, In The Strand, 1776-1788.

First edition, first state of Gibbon’s “masterpiece of historical penetration and literary style” (PMM). Quarto, six volumes, bound in modern half calf over marbled boards by Bayntun-Riviere with morocco spine labels lettered in gilt, gilt ruling to the spine in six compartments within raised bands, all edges speckled red, engraved frontispiece portrait of Gibbon by John Hall after Sir Joshua Reynolds in Vol. II, three engraved folding maps, half-titles in vols. I-III and V, all 4 errata leaves (lacking half-titles in vols. IV and VI, vol. I with half-title. Strahan predicted the popularity of Gibbon’s History and doubled the print run from 500 to 1000 copies during the publication process, entailing the resetting of some sheets. Vol. I is in the first state, with the cancellans leaves as described by Rothschild and the errata uncorrected. The gatherings *a, *b, and the author portrait are bound in the second volume. Grolier English 58; PMM 222; Rothschild 942. L4 restored at gutter with small loss to the text, light dampstaining to the frontispiece portrait, contemporary ownership inscription to the first title trimmed by the binder. In near fine condition. A very nice example.

"This masterpiece of historical penetration and literary style has remained one of the ageless historical works Gibbon brought a width of vision and a critical mastery of the available sources which have not been equalled to this day; and the result was clothed in inimitable prose" (PMM 222). "For 22 years Gibbon was a prodigy of steady and arduous application. His investigations extended over almost the whole range of intellectual activity for nearly 1500 years. And so thorough were his methods that the laborious investigations of German scholarship, the keen criticisms of theological zeal, and the steady researches of (two) centuries have brought to light very few important errors in the results of his labors. But it is not merely the learning of his work, learned as it is, that gives it character as a history. It is also that ingenious skill by which the vast erudition, the boundless range, the infinite variety, and the gorgeous magnificence of the details are all wrought together in a symmetrical whole. It is still entitled to be esteemed as the greatest historical work ever written" (Adams, Manual of Historical Literature, 146-7).