The Poetical Works of John Milton. [Fore-edge Painting].

MILTON, John. Edited by Sir Egerton Brydges.

Item Number: 123498

London: William Tegg & Co., 1848.

Finely bound 19th century printing of Milton’s poetical works finely bound with a split erotic fore-edge painting. Octavo, bound in full morocco with gilt titles and tooling to the spine in five compartments within raised gilt bands, double gilt ruling and tooling to the front and rear panels, gilt turn-ins and inner dentelles, all edges gilt with a split erotic fore-edge painting after Thomas Rowlandson, patterned endpapers, illustrated with engravings from drawings by J. M. W. Turner. In near fine condition. Ownership inscription.

The first known example of a disappearing fore-edge painting (where the painting is not visible when the book is closed) dates back to 1649. Around 1750, the subject matter of fore-edge paintings changed from simply decorative or heraldic designs to landscapes, portraits and religious scenes, usually painted in full color. The technique was popularized in the 18th century by John Brindley (1732-1756), publisher and bookbinder to the Prince of Wales and Edwards of Halifax, a distinguished family of bookbinders and booksellers. The majority of extant examples of fore-edge paintings date to the late 19th and early 20th century on reproductions of books originally published in the early 19th century, including the present volume.